Your Call is Important to Us

Extract from “Your Call is Important to Us: Towards a Socio-political Praxis of On-Hold Music by Dr Jeff Grunt.

It has been well documented in this treatise how poor cultural framing of “on-hold music” can induce cognitive dissonance in the intended audience. British users of Southern Rail’s helpline demonstrated this cross-wiring of outcome and intention quite clearly when 56% reported they were “quite distressed” or “very distressed” when hearing The Four Seasons by Vivaldi, apparently as it reminded them that British weather was more homogenous, located as it is in a generic “single season” paradigm of rain and wind.

What has been less well researched has been the kinetic-auditory impact of, for example, timbre and “note envelope” parameters. Anecdotally, a lower-quality under-developed timbre may induce a certain displeasure, but there has yet to be a wide-scale analysis of, for example, whether Beethoven’s Ninth is less likely to provoke negative-biased responses when played by a full orchestra rather than on a stylophone.

Teleharmonium1897_edited-1

Nevertheless, an early attempt at producing telephonic music may prove instructive, especially as to its demise. The “Telharmonium” (pictured above) was an early electronic instrument developed in the later Victorian era by a Thaddeus Cahil. Three versions were produced, the last weighing around 200 tons. The instrument itself would take up an entire room.  Thus, proving unwieldy to travel, the instrument was used primarily for telephone users to listen to music. However, despite the relative unavailability of recorded music at that time, the telharmonium was not a success. Notwithstanding the tremendous power consumption required, the fatal flaw seemed two-fold.

The first problem noted was that the basic sound, a sine wave, was “pure and clear”. Although there were options to modify this source, I contend that this purity, this perfection, may well have contrived to create displeasure. The sounds may have been unearthly or ethereal to the listener used to the more visceral sounds of a street urchin playing a violin. Secondly, there are also reports of cross-talk incidents, where conversations were interrupted by ghostly music. In all, by the early part of the 20th century, the instrument had lost favour and fell into disuse.

We can, I think, conclude clearly that here we have less a sociological issue than a timbral one. I shall be exploring this more thoroughly in the next chapter “Windpipes and their Role in Helpdesk Worker Abuse.”

(Dr Grunt is Lecture of Muzack at UMIST and is also author of “Elevation: The Use of Religious Music in Lifts” and “Liminal Exotica: Bossa Nova Rhythms and Hotel Lobbies”)

 

 

About Town

 

about town sepia

If rumours are to be entertained, and what other purpose do they serve I wonder, last night’s soiree at the Palace Hotel proved less than satisfactory to one guest. An heiress to a local mill owner had seemingly set her eye on a visiting Russian dignitary. She had employed a mode of dress just on the right side of risqué, but far on the wrong side of taste, to catch her erstwhile tzar. Sadly, young Ivan glanced at her not once and seemed to prefer the company of some local well-dressed gentlemen. A story that the young lady in question ran distraught from the party at midnight, like a modern Cinderella, goes unfortunately unconfirmed.


Tonight’s “entertainment” is due to be provided by the Peitho Institute. Once upon a time, this institute’s events were omnipresent on the Mancunian social scene, providing enlightenment and hilarity in equal measure, due to the idiosyncratic curation of its exhibits. It was generally assumed that the steam had long gone out of this engine of the bizarre, but it is seemingly rising phoenix-like for perhaps a last hurrah. The great and good of Manchester have been invited to an event that, it is promised, will show not just Manchester but the world a revolution in communication. Frankly, this columnist cannot wait and will be there to witness with pen, dipped lightly in vitriol, in hand.


And whilst we talk of the Peitho Institute, one cannot help but wonder about its patroness and aforementioned curator. It seems almost a year now since she was seen in public. Friends are a little vague on details on why this may be, and her famously reclusive father says nothing. Has she been banished to a nunnery for offences against artistic sensibility? Or is there a more mundane reason that our patroness of the highest of arts is no longer “about town”. Answers please. Discretion, naturally, assured.

Percival Gribblewax, Manchester Guardian

 

In Defence of Art

Dear Readers

It has come to my attention that a minor error has slipped into our current tale, which I feel the need to explain. You see, Sir John and Marie, as intrepid psychic explorers in the latter part of the nineteenth century would not be, as they seem in our story, unaware of mesmerism.

I hear you gasp at this obvious flaw, but I can explain.

The name mesmerism comes, of course, from Franz Anton Mesmer, born and practicing in the 18th century. The power he lent his name to was then called animal magnetism. He believed that blockage of this animal force was responsible for illness. His theories spread across to America from Europe and were widely known throughout the 19th century.

mesmer_sepia

Of course, mesmerism is now known merely as a synonym for hypnotism, and the magnetic force is not remembered at all. All of this was uppermost in my mind as I started this tale and I was keen to ensure the reader was carefully introduced to this strange world of magnetic powers and not simply dumped in the midst of it. It is for this reason that the Jennings are curiously unaware of mesmerism.

It might appear to the casual reader that there has been a failure to research thoroughly before starting the story. This could not be farther from the truth. I am merely using a well-worn approach of introducing the reader to a novel or fantastical world by virtue of a character who is themselves new to said world.

And so I apologise for this inaccuracy in our tale, but trust you understand the artistic goal. All I can say, to reassure the disappointed reader, is that all other aspects of our stories, including ghosts, witchcraft and devices which hear the dead, are all verifiably, historically true.

Paul Michael

 

 

 

 

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The Second Salem Witch Trials

by Professor Marmaduke Herringbone-Stove

There has been much interest recently in these fair shores on the topic of the diabolical and malevolent practice of mesmerism.

I hear you gasp at my mention of the word, but as an expert I hold no fear of these devious practices. I have spent many years studying this foul perversion of natural forces. I understand how it operates, how it can control the mind of a more fragile being, how it can destroy a man. But I have no wish now to expand on this topic. I have written elsewhere on it and frequently give speeches and lectures.

No, today I wish to keep you abreast of events on the other side of the Atlantic Ocean, namely in America. It has come to my attention that there has been a  legal trial most recently near the famed city of Salem. A trial that was called by the newspapers the “Second Salem Witch Trials” although it features no witch. Indeed the indicted, one Daniel H Spofford, was accused of none other than mesmerism!

SpoffordDaniel H Spofford,  Alleged Mesmerist

Let me acquaint you of the facts as they appear to me. This seems a tragic tale indeed, a “fall from grace” if you will. For Mr Spofford was very much engaged with the brilliant if theoretically misguided Mary Baker Eddy and her Christian Science movement. Clearly, there he was exposed to the powers and practice that Mrs Eddy and others have called “animal magnetism”. But these powers have a dark side too. A power that Mrs Eddy has written about in a chapter of her famed “Science and Health” book. That she has called Malignant Animal Magnetism, or more simply, mindcrime.

Daniel H Spofford, for all his years of service to Mrs Eddy, must have been seduced by these dark powers. It was said in court that he

“is a mesmerist, and practices the art of mesmermism, and by his said art and the power of his mind influences and controls the minds and bodies of other persons, and uses his said power and art for the purposes of injuring the persons and property and social relations of others and does by said means so injure them”

In particular, the unfortunate Lucretia Brown was a target of his terrible powers, being made invalided by this devious soul Spofford. Yes, it is true she had received the injury decades before and yes, Spofford had fallen out with Mrs Eddy. It is also alleged that Mrs Eddy’s lawyers assisted in drawing up the complaint, but surely this is merely the act of a benevolent friend.

In any account, the law proved once again what an ass it can be. The case was thrown out by the Judge, who foolishly suggested the claim was vague, that no law had been broken and that the law would not be able to stop Mr Spofford if he did have the powers that Mrs Brown suggested he had. I say the law is an ass, but maybe there is another, more sinister reason why the case was rejected. My conjecture is this, Mr Spofford used his powers as a mesmerist…to mesmerise the judge!

Now surely we can see how powerful these mesmerists are and surely all good men and women should arm themselves against such mental meddling. The truth should be told, explained, and given to all mankind, that they may keep themselves safe

Professor Herringbone-Stove, Greater Manchester

(Professor Herringbone-Stove is available to deliver lectures to meetings attended by appropriate gentlefolk, birthdays for over 10s and weddings where liqour is not served.)

Please Note: The views expressed by contributors to The Benthic Times may not reflect the views of the editors or owners. Students of legal history are earnestly encouraged to study this document for an alternative perspective.

The One that Got Away

the one that got away

Despite wearing his Sunday best for the photoshoot, poor Sir John had to be decapitated for artistic purposes. Here he is restored to his full glory for your amusement this Friday.

We have, incidentally, created what we believe is called a “Facebook page” for this magnificent publication. You may wish to visit if you find yourself short of entertainment over the weekend. The weather forecast promises little, we’re told.

 

 

Broadening the Mind

We are travelling at the moment which is proving a great source of inspiration and photographic resources. Here is one such we found at a hotel we ate at, its a cosy little snug with a most opulent design. Already we are working out how we might fit it in a story…

CH Colour Seat

Cup of Brown Joy and the Silv’ry Tay

This very evening we shall be repairing to local hostelry The Yellow Book to hear the work of a young poet called Professor Elemental. I’m not sure which academic institute awarded him this title, so cannot speak on that point, but I have heard that he is a first rate wordsmith. Interestingly, there is a novelty element to his literature in that he has set his work to a sort of rhythmic drumming. This shall be interesting to observe although frankly I don’t think this sort of thing is likely to catch on. 

But thinking of great poetry set to music I was reminded of the famous poet William McGonagall whose own ode The Famous Tay Whale was  set to music.  Those unfamiliar with Mr McGonagall’s work are urged to seek it out forthwith. His use of language and masterful command of metre are truly breathtaking.

McGonagall

Of course famous though this work is, perhaps his greatest poem is The Tay Bridge Disaster. The opening and ending are included here to allow you, gentle Reader, to bask in wonder at the power of this work. So evocative and profound is this writing, it has been known to reduce men to tears.

Beautiful Railway Bridge of the Silv’ry Tay!
Alas! I am very sorry to say
That ninety lives have been taken away
On the last Sabbath day of 1879,
Which will be remember’d for a very long time.

¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨

It must have been an awful sight,
To witness in the dusky moonlight,
While the Storm Fiend did laugh, and angry did bray,
Along the Railway Bridge of the Silv’ry Tay,
Oh! ill-fated Bridge of the Silv’ry Tay,
I must now conclude my lay
By telling the world fearlessly without the least dismay,
That your central girders would not have given way,
At least many sensible men do say,
Had they been supported on each side with buttresses,
At least many sensible men confesses,
For the stronger we our houses do build,
The less chance we have of being killed.

A Rudimentary Exposition of a Device of Mine Own Inventing

A large number of our readers have requested information on how some of my marvellous devices work. It is almost as if they doubt the veracity of the account presented herein! Below, for the general edification of our audience, is an explanation of how the Thanatograph functions. I hope this clarifies the matter. We are available to carry out demonstrations in the Home Counties for a small fee.

Sir John Jennings

imageedit_1_8693561110 (1)

  1. Motive Crank: a clockwork spring mechanism allowing the device to operate
  2. Aetheric Conductor: this will collect the thoughts of any local phantasm
  3. Psychic Amplifier: increases the strength of the spirit thoughts captured
  4. Vocalic Convertor: modulates the spirit energy into sound waves
  5. Speaking Horn: allows the quiet sound waves produced to be audible to the human ear

On The Sourcing of Quality Tureens

Thanks to For Whom The Gear Turns for the guidance and the marvellous Graphics Fairy for the image in this weeks episode. This helpful post is most recommended.